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Columbia stoked enthusiasm by inviting critics to observe the sessions, and they dutifully reported the new curiosity in the throes of his eccentricities. Gould has been absent from British platforms these past few years and if this new CBS release is indicative of his current musical predilections, perhaps it is just as well. CBC Symphony Orchestra, Walter Susskind conducting); Piano Sonata # 1. K. 3. 30; Fantasia (Prelude) and Fugue, K. Haydn: Piano Sonata in E- flat Major # 5. Julliard String Quartet); Brahms: Piano Quintet, Op. Montreal String Quartet). Scriabin: Sonatas #s 3 and 5, 2 Morceaux, 3 Preludes; Prokofiev: Sonata # 7; Mendelssohn: 5 Songs Without Words. Rhapsodies, Op. 7. Intermezzi (Op. 7. Op. 1. 16 # 4, Op. Op. 1. 18, #s 1, 2 and 6, Op. Bizet: Oremier Nocturne in F major; Variations chromatique (de concert); Sibelius: 3 Sonatines for Piano, Op. Three Lyric Pieces, Op. Gould has been absent from British platforms these past few years and if this new CBS release is indicative of his current musical predilections, perhaps it is just as well”). Krenek: Sonata # 3; Webern: Variations for Piano, Op. Concerto for Nine Instruments, Op. Boris Brott); Debussy: Rhapsody # 1 (with James Campbell, clarinet); Ravel: La Valse. Piano Concerto (with the CBC Symphony Orchestra, Robert Craft conducting); Phastasy for Violin and Piano (with Israel Baker, violin), Ode to Napoleon Buonaparte (with John Horton, reciter, and the Julliard String Quartet); Pierrot Lunaire, Part I (with Patricia Rideout, reciter, and chamber ensemble conducted by Gould). Morawetz: Fantasy in b minor; Anhalt: Fantasia; Hetu: Variations pour piano, Op. Pentland: Ombres; Valen: Piano Sonata # 2, Op. Schoenberg: Phantasy for Violin and Piano, Op. Yehudi Menuhin, violin). So You Want to Write a Fugue?”; Lieberson Madrigal; Two Pieces for Piano; Sonata for Bassoon and Piano; Piano Sonata (unfinished). Symphonia Quartet, 1. So You Want to Write a Fugue?” Julliard Quartet (1. Shostakovich: Quintet for Strings and Piano, Op. Glenn Gould, piano, with Symphonia Quartet); Poulenc: Aubade for Piano and Eighteen Instruments (Glenn Gould with ensemble conducted by Boris Brott). Peter Ostwald's Glenn Gould - The Ecstasy and Tragedy of Genius (Norton, 1. Gould's fascinating phobias and character. Medieval Music - New World Encyclopedia. The term medieval music encompasses European music written during the Middle Ages. This period contains compositions written by kings (Roy Henry) as well as poets (Guillaume de Machaut) and musicians (Arnold de Lantins). The era begins with the fall of the Roman Empire (4. C. E.) and ends in approximately the middle of the fifteenth century. Although establishing the end of the medieval era and the beginning of the Renaissance is admittedly arbitrary, the date of 1. The span of the Middle Ages can be heard through its music in the aural recordations of the ending of the Roman Empire, the Dark Ages, and the rise of churches, towns, and schools. As historical events took volatile turns, music became a constant uplifting influence heard in the Gregorian chants and the troubadour and trouvere songs whose verses spoke of matters such as strong emotions, the Crusades, communal dances, and songs for daily chores. This was a way of changing the selfish concern from oneself to the spiritual and citizenship needs of the whole community. Overview. Styles and trends. The only medieval music which can be studied is that which was written down and has survived. Since creating musical manuscripts was very expensive, due to the expense of parchment, and the huge amount of time necessary for a scribe to copy it all down, only wealthy institutions were able to create manuscripts which have survived to the present time. These institutions generally included the church and associated operations, such as monasteries. Some secular music, as well as sacred music, was also preserved by these institutions. These surviving manuscripts do not reflect much of the popular music of the time. At the start of the era, the notated music is presumed to be monophonic and homorhythmic with what appears to be a unison sung text and no notated instrumental support. Earlier medieval notation had no way to specify rhythm, although neumatic notations gave clear phrasing ideas, and somewhat later notations indicated rhythmic modes. The simplicity of chant, with unison voice and natural declamation, is most common. The notation of polyphony develops, and the assumption is that formalized polyphonic practices first arose in this period. Harmony, in consonant intervals of perfect fifths, unisons, octaves, (and later, . Rhythmic notation allows for complex interactions between multiple vocal lines in a repeatable fashion. The use of multiple texts and the notation of instrumental accompaniment developed by the end of the era. Instruments. The instruments used to perform medieval music still exist, though in different forms. The medieval . Cornets in medieval times were quite short. They were either straight or somewhat curved, and construction only became standardized on a curved version by approximately the middle fifteenth century. In one side, there would be several holes. The flute was once made of wood rather than silver or other metal, and could be made as a side- blown or end- blown instrument. The recorder, on the other hand, has more or less retained its past form. One of the flute's predecessors, the . This instrument's pipes were made of wood, and were graduated in length to produce different pitches. Many medieval plucked string instruments were similar to the modern guitar, such as the lute and mandolin. The hammered dulcimer, similar in structure to the psaltery and zither, was not plucked but struck. The hurdy- gurdy was (and still is) a mechanical violin using a rosined wooden wheel attached to a crank to . Instruments without sound boxes, such as the Jew's harp, were also popular. Early versions of the organ, fiddle (or vielle), and trombone (called the sackbut) existed as well. Genres. In this era, music was both sacred and secular, although almost no early secular music has survived, and since musical notation was a relatively late development, reconstruction of this music, especially before the twelfth century, is currently subject to conjecture. Theory and notation. In music theory, the period saw several advances over previous practice, mostly in the conception and notation of rhythm. Previously, music was organized rhythmically into . The most famous music theorist of the first half of the thirteenth century, Johannes de Garlandia, was the author of the De mensurabili musica (about 1. A German theorist of a slightly later period, Franco of Cologne, was the first to describe a system of notation in which differently shaped notes have entirely different rhythmic values (in the Ars Cantus Mensurabilis of approximately 1. European music. Most of the surviving notated music of the thirteenth century uses the rhythmic modes as defined by Garlandia. Philippe de Vitry is most famous in music history for writing the Ars Nova (1. His contributions to notation, in particular notation of rhythm, were particularly important, and made possible the free and quite complex music of the next hundred years. In some ways, the modern system of rhythmic notation began with Vitry, who broke free from the older idea of the rhythmic modes, short rhythmic patterns that were repeated without being individually differentiated. The notational predecessors of modern time meters also originate in the Ars Nova; for Franco, a breve had equaled three semibreves (that is, half breves) (on occasion, two, locally and with certain context; almost always, however, these two semibreves were one of normal length and one of double length, thereby taking the same space of time), and the same ternary division held for all larger and smaller note values. By the time of Ars Nova, the breve could be pre- divided, for an entire composition or section of one, into groups of two or three smaller semibreves by use of a . Tempus perfectus was indicated by a circle, while tempus imperfectus was denoted by a half- circle (the current . In a similar fashion, the semibreve could in turn be divided into three . In the highly syncopated works of the Ars subtilior, different voices of the same composition would sometimes be written in different tempus signatures simultaneously. Many scholars, citing a lack of positive attributory evidence, now consider . The first definitely identifiable scholar to accept and explain the mensural system was Johannes de Muris (Jehan des Mars), who can be said to have done for it what Garlandia did for the rhythmic modes. Early medieval music (before 1. Early chant traditions. Chant (or plainsong) is a monophonic sacred form which represents the earliest known music of the Christian church. The Jewish Synagogue tradition of singing psalms was a strong influence on Christian chanting. Chant developed separately in several European centers. The most important were Rome, Spain, Gaul, Milan, and Ireland. These chants were all developed to support the regional liturgies used when celebrating the Mass there. Each area developed its own chants and rules for celebration. In Spain, Mozarabic chant, was used and shows the influence of North African music. The Mozarabic liturgy even survived through Muslim rule, though this was an isolated strand and this music was later suppressed in an attempt to enforce conformity on the entire liturgy. In Milan, Ambrosian chant, named after St. Ambrose, was the standard, while Beneventan chant developed around Benevento, another Italian liturgical center. Gallican chant was used in Gaul, and Celtic chant in Ireland and Great Britain. Around 1. 01. 1 C. E., the Roman Catholic Church wanted to standardize the Mass (liturgy) and chant. At this time, Rome was the religious centre of western Europe, and Paris was the political centre. The standardization effort consisted mainly of combining these two Roman and Gallican) regional liturgies. This body of chant became known as Gregorian Chant. By the twelfth and thirteenth centuries, Gregorian chant had superseded all the other Western chant traditions, with the exception of the Ambrosian chant in Milan, and the Mozarabic chant in a few specially designated Spanish chapels. Gregorian chant. A doctrinally unified version which came together under the supervision of Rome in approximately the ninth century was called Gregorian chant, a type of plainsong that was central to the musical tradition of Europe in the Medieval era. The actual melodies that make up the repertory probably come from several sources, some as far back as the pontificate of Gregory the Great himself (c. Many of them were probably written in the politically stable, relatively literate setting of western monasteries during the reign of Charlemagne. The earliest surviving sources of chant showing musical notation come from the early ninth century, though the consistency of the music across a wide area implies that some form of chant notation, now lost, may have existed earlier than this. It should be noted that music notation existed in the ancient world—for example Greece—but the ability to read and write this notation was lost around the fifth century, as was all of the music that went with it. To what extent the music of the Gregorian chant represents a survival of the music of the ancient world is much debated by scholars, but certainly there must have been some influence, if only from the music of the synagogue. Only the smallest of scraps of ancient music have survived (for instance, the Seikilos epitaph), but those that have show an unsurprising similarity of mode, shape, and phrase conception to later Western music. Chant survived and prospered in monasteries and religious centers throughout the chaotic years of the early middle ages, for these were the places of greatest stability and literacy. Most developments in western classical music are either related to, or directly descended from, procedures first seen in chant and its earliest elaborations. Early polyphony: Organum. Around the end of the ninth century, singers in monasteries such as the Abbey of St.
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Las canciones de blues son m. Esto se logra musicalmente, utilizando las t. Una de las primeras referencias a the blues puede encontrarse en la farsa. Blue Devils, a farce in one act (1. Handy ya utilizaba (en su tema «Memphis Blues». Debido a ello, aquellos esclavos que eran capaces de tocar un banjo, u otro instrumento de cuerda, pod. Este tipo de m. Handy), corresponde a un tipo de t. El diddley bow —el cual se piensa que fue muy com. Los bluesgut- bucket sol. Reverend Gary Davis y Blind Willie Johnson son algunos ejemplos de artistas que suelen categorizarse por su m. El desarrollo b. Los temas blues lentos suelen tocarse en un comp. Los acordesblues asociados a una estructura blues de doce compases suelen estar compuestos normalmente por tres acordes distintos, los cuales son tocados a trav. Frecuentemente, el . El golpe final, al contrario que los anteriores, suele estar casi siempre posicionado firmemente en la s. Handy (1. 91. 4). Mel. Mientras que la progresi. En las progresiones de acordes del blues, los acordes t. El blues suele tocarse ocasionalmente en una escala menor, diferenci. James Infirmary Blues» y en el tema de Trixie Smith «My Man Rocks Me». Algunas veces, se utiliza una escala d. Los shuffles m. Asimismo, el walking bass era otro dispositivo que permit. Un ejemplo de esto puede encontrarse en la siguiente tablatura que muestra los primeros cuatro compases de una progresi. El jazz blues suele tocarse en el acorde V a trav. Esta cadencia final de acordes V- I conlleva por s. A partir de este punto, la aproximaci. En este caso, los compases 1. Las estructuras musicales y los estilos que est. Pueden encontrarse grabaciones de blues y de country que se remontan a los a. Algunos estudios sit. El economista e historiador afroamericano Thomas Sowell indica que la poblaci. Sin embargo, los descubrimientos de Kubik y otros estudiosos muestran claramente la esencia africana de muchos aspectos vitales en la expresi. Paul Oliver cita un texto de Charlotte Forten, de 1. Washington y el auge del blues». Levine indica que «psicol. Hacia 1. 91. 2, esta industria public. Seals (con arreglos de Artie Matthews), «Dallas Blues» de Hart Wand y «Memphis Blues» de W. Se convirti. Louis Blues». En los a. El blues evolucion. Fue en este periodo en el cual compa. El blues de Georgia y las Carolinas se distingu. El blues de Texas se caracteriza por un canto alto y claro acompa. La Gran Depresi. John Lee Hooker se estableci. Fue Chicago, sin embargo, que desempe. Jefferson fue uno de los pocos int. En los primeros a. Robert Johnson. Junto a Robert Johnson, int. Cantantes como Blind Willie Mc. Tell y Blind Boy Fuller interpretaron la «delicada y l. Georgia tambi. El pianista Memphis Slim inici. Gran parte de los m. Mamie Smith, la cual era m. Mientras que el g. Este estilo estaba caracterizado por una figura en forma de bajo, un ostinato o riff y un cambio de nivel en la mano izquierda, elaborando cada acorde y creando ornamentos con la mano derecha. El boogie- woogie fue desarrollado principalmente por el m. John, mezclaron el ritmo cl. El blues el. Chicago se convirti. Howlin' Wolf, Muddy Waters, Willie Dixon y Jimmy Reed nacieron en Misisipi y se trasladaron a Chicago durante la Gran migraci. Su estilo estaba caracterizado por el uso de la guitarra el. Brown, el cual toc. Lenoir, tambi. Otros armonicistas como Big Walter Horton tambi. Muddy Waters y Elmore James eran conocidos por su uso innovador de la steel guitar el. King y Freddie King, no utilizaban la steel guitar pero fueron guitarristas influyentes en el g. Howlin' Wolf y Muddy Waters tambi. Mientras que m. Precisamente, la forma de tocar de Diddley y Berry fue uno de los factores de influencia en la transici. Elvis Presley y Bill Haley estuvieron m. El Chicago blues tambi. Nacido en Dallas, T- Bone Walker suele asociarse con el West Coast blues, el cual es m. El blues de John Lee Hooker es m. Algunas canciones de este g. En Reino Unido, las bandas de m. King, con su guitarra Lucille. Los bluesmen como John Lee Hooker y Muddy Waters siguieron tocando para sus admiradores entusiastas e inspirando a nuevos artistas en el campo del blues tradicional, como el m. John Lee Hooker mezcl. King le vali. A diferencia del subg. El cantante de Tennessee, Bobby 'Blue' Bland, al igual que B. King, tambi. Festivales de m. Lenoir, perteneciente al movimiento del Chicago blues de los a. Geils Band y Ry Cooder. Gran parte de los primeros . Influenciado po. Albert King, Buddy Guy y Luther Allison fueron componentes de este g. El soul blues, denominado com. Hill «Down Home Blues» (1. Little Milton «The Blues is Alright» (1. Entre los int. Soul, Mel Waiters y Willie Clayton. La red de cadenas de radio de blues de EE. UU., fundada por Rip Daniels (un ciudadano negro de Misisipi), emiti. El Texas blues naci. A diferencia del West Coast blues, el g. Artistas de renombre del Texas blues son Johnny Winter, Stevie Ray Vaughan, The Fabulous Thunderbirds y ZZ Top. Eric Clapton, famoso por sus actuaciones con los Blues Breakers y Cream, grab. Desde entonces ha rendido tributo a este estilo con discos que pueden considerarse totalmente de blues, como From the Cradle o Me and Mr. Johnson, y que han acercado el g. Handy Awards. Artistas renombrados del jazz, folk o rock and roll como Louis Armstrong, Duke Ellington, Miles Davis, Elvis Presley y Bob Dylan tienen en su haber varias grabaciones importantes de blues. La escala blues suele utilizarse en canciones populares como la del m. Las estructuras blues se utilizan en cabeceras de series de televisi. A pesar de que el baile de blues suele realizarse con temas blues, este puede realizarse con cualquier m. Musicalmente, los espirituales fueron descendientes de la tradici. Los espirituales, o c. El canto espiritual se desarroll. Dorsey ayud. Generalmente, el jazz utilizaba estructuras arm. Tras la Segunda Guerra Mundial, el blues tuvo una gran influencia en el jazz: cl. La audiencia para ambos g. Los artistas que se mueven entre la frontera del jazz y el blues se engloban dentro del subg. Un claro ejemplo de ello es el tema de Elvis Presley. Hound Dog (un tema blues transformado en una canci. Goode», «Blue Suede Shoes», «Whole Lotta' Shakin' Going On», «Tutti- Frutti», «Shake, Rattle, and Roll», «What’d I Say» y «Long Tall Sally»; as. Algunos ejemplos de esta tem. Original en ingl. Gran parte de los m. Handy el primer m. Screening the blues : aspects of the blues tradition(en ingl. New York: Da Capo Press. Blues Fell This Morning: Meaning in the Blues. New York: Cambridge University Press. Morales atribuye este argumento a John Storm Roberts en Black Music of Two Worlds, comenzado su argumentaci. Gradualmente, se fueron a. Garofalo cita otros autores que tambi. El Concierto para piano, n. Sin embargo, esta era una t. ISBN 1- 8. 90. 49. Consultado el 2. 5 de noviembre de 2. Vradenburg, Everything About Playing the Blues, 2. Music Sales Distributed, ISBN 1- 8. Como las categor. Garofalo afirma que «algunos artistas estaban, algunas veces, incluidos incorrectamente en una categor. Bohlman, «Immigrant, folk, and regional music in the twentieth century», en The Cambridge History of American Music (ed. David Nicholls), p. Cambridge University Press, 1. ISBN 0- 5. 21- 4. ISBN 8. 4- 3. 84- 0. Levine: Black Culture and Black Consciousness: Afro- American Folk Thought from Slavery to Freedom (p. U.): Oxford University Press, 1. ISBN 0- 1. 9- 5. 02. Garofalo cita a Barlow en «el . The devil's music: A history of the blues. U. S. A.: British Broadcasting Corporation. Looking Up At Down: The Emergence of Blues Culture(en ingl. UU.: Temple University. Consultado el 2. 5 de noviembre de 2. Consultado el 6 de diciembre de 2. Split Image: African Americans in the Mass Media: 3. Clarke, Donald (1. The Rise and Fall of Popular Music. Martin's Press. ISBN 0- 3. Ewen, David (1. 95. Panorama of American Popular Music. Prentice Hall. ISBN 0- 1. Ferris, Jean (1. 99. America's Musical Landscape. Brown & Benchmark. ISBN 0- 6. 97- 1. Garofalo, Reebee (1. Rockin' Out: Popular Music in the USA. Allyn & Bacon. ISBN 0- 2. 05- 1. Morales, Ed (2. 00. The Latin Beat. Da Capo Press. ISBN 0- 3. 06- 8. Schuller, Gunther (1. Early Jazz: Its Roots and Musical Development. Oxford University Press. ISBN 0- 1. 9- 5. 04. Southern, Eileen (1. The Music of Black Americans. Norton & Company, Inc. ISBN 0- 3. 93- 0. Consultado el 2. 4 de agosto de 2. Material adicional. The Story Of The Blues (new edition edici. Northeastern University Press. ISBN 1- 5. 55. 53- 3. Palmer, Robert (1. ISBN 0- 6. 70- 4. Rowe, Mike (1. 97. Chicago Breakdown. Eddison Press. ISBN 0- 8. Titon, Jeff Todd (1. Early Downhome Blues: a Musical and Cultural Analysis (Segunda edici. University of North Carolina Press. ISBN 0- 8. 07. 8- 4. Enlaces externos. Super Partituras - Partituras de m. Bernardini. A. Carlos Gomes. A. Ceccarelli. A. Pestalozza. A. Wrigth. Aaron Boyd. Aaron Tomes. Aaron Williams. Abba. Abbe P. Hutchinson. Albert Hague. Albert Hammond. Albert Lister Peace. Albert Midlane. Albert West. Albertino Pimentel. Alberto Barroso Soares. Alberto Barrozo Soares. Alberto Cal. Vermelho. Alcyr Pires Vermelho. Alda C. Sardinha (Garoto)Annibal Augusto Sardinha (Garoto)Anoel. Borges. Aristies M. Borges. Arlindo B. Pinto. Augusto Mesquita. Augusto Migliavacca. Augustus Montague Toplady. Aur. Toledo. B. o. BBabado Novo. Baby Consuelo. Babyface. Bacalov. Backstreet Boys. Baden Powell. Baden Power. Bahr. Bal. Hart. Barbara Fowler Gaultney. Barbara Mason. Barbara Streisand. Barbra Streisand. Bardotti. Barouh. Barry. Barry Gibb. Barry Manilow. Bart Corwin. Bart Howard. Batty Mann. Baylus Benjamin Mc. Kinney. Beach Boys. Beatles. Bebu Solvetti. Beck. Bedu. King. Ben Glover. Ben Moody. Benedetti. Benedetto Marcello. Benedicto Sampar. Benedido Lacerda. Benedito Chaves. Benedito Lacerda. Benedito Lucerda. Benedito Palheta. Benedito Pedroso. Benito de Jesus. Benito de Paula. Benito Di Paula. Benjamin Franklin White. Benjamin Levin. Benjamin Lovett. Benjamin Mansell Ramsey. Benjamin Mc. Kee. Bennie Benjamin. Benny Anderson. Benny Andersson. Benny Davis. Bentley De. Forest Ackley. Bentley De. Forrent Ackley. Berlin. Bernard de Clairvaux. Bernard de Cluny. Bernard Sumner. Bernie Herms. Bernie Wayne. Berry Gordy. Bert Kaempfert. Bert Kaenpfert. Bert Keyes. Bert Reisfeld. Bertorino Alma. Bessie Smith. Beth Carvalho. Beto Barbosa. Beto Caetano. Beto Fonseca. Beto Guedes. Beto Pellegrini. Beto Saraldi. Beto Sem Bra. Ichter. Bill Hill. Bill Oakley. Bill Withers. Billie Holiday. Billy Blanco. Billy Gibbons. Billy Howerdel. Billy Idol. Billy Joel. Billy Mann. Billy Pace. Billy Preston. Billy Steinberg. Billy Strayhom. Billy Strayhorn. Bj. Litrell. Brian West. Brian Wilson. Brian Yale. Brigitte Bardot. Brites Louren. Austin Miles. C. Battersby. Cac. Furtado. Capiba. Capinam. Capinan. Capital Inicial. Capri. Cardigans. Cardoso. Carl Boberg. Carl Gotthelf Gl. Lenzi. Carlos Cacha. Cearense. Catulo da Paix. Borel- Clerc. Chabuca Granda. Chad Hugo. Chad Kroeger. Chad Smith. Chama Chuva. Chamfley. Chantal Kreviazuk. Charlene. Charles Aznavour. Charles Calhoun. Charles Chaplin. Charles Crozart Converse. Charles Danvers. Charles Dumont. Charles Fox. Charles Gounod. Charles Hart. Charles Howard Marsh. Charles Huctchison Gabriel. Charles Hutchison Gabriel. Charles Mingus. Charles Price Jones. Charles Reid. Charles Tr. Bortniansky. D. Carlota Joaquina. D. Tionkin. D. R. D`alva Stella. D`angelo Holmes. Dacyr Bernardes Gatz. Dadinho. Dado Villa Lobos. Dado Villalobos. Daft Punk. Dagoberto Simalha. Dallas Austin. Dalmo Castello. Dalmo Castelo. Dalto. Dalton vogeler. Dalvimar Gallo. Damares. Dam. Stewart. David Arnold. David Bowie. David Bryson. David Cisneros. David Crowder. David Downes. David Evans. David Foster. David Grohl. David Guetta. David H. Williams. David Hodges. David Immergluck. David Jaymes. David Julien. David Kreuger. David La. Bruyere. David Livingstone Ives. David Martin. David Mc. Cabe. David Mullen. David Nasser. David Navarro. David Passos. David Peacock. David Porter. David Quinlan. David Raksin. David Raskim. David Raskin. David Sanborn. David Tyger. David Tyson. David William Hodges. David Wray. David Zippel. Dawn Richardson. De Curtis. Dean Pitchfop. Debbie Smith. Deborah D. Smith. Debussy. D. G. Domenico Furno. Domenico Modugno. Domenico Modungo. Domingo S. Frederico. Domingos de Moraes. Domingos Pecci. Domingos Semenzato. Dominguinhos. Dominic Bugatti. Dominic Miller. Don Black. Don Fab. Volk. Dorcas Cochran. Dorgival Dantas. Dori Caymmi. Dorian Hardnett. Doris Day. Dorival Caymmi. Dorothy Fields. Dorothy Frances Blomfield Gurney. Dorothy Heyward. Double. Doudelaux Bryant. Douglas. Douglas Cavalcanti. Douglass Cross. Dove Loggins. Doyle. Doyle Mello Barboza. Dreamgirls. Duarte Costa. Dubose Heyward. Duda. Dudley Wikinson. Dudu Falc. Villani Cort. Harburg. Eagles. Earl Bowman Marlatt. Ed Kerr. Ed Motta. Ed Pessoa. Ed Sheeran. Ed Wilson. Edd Mota. Eddie Carswell. Eddie Cooley. Eddie De. Lange. Eddie Fisher. Eddy Marnay. Eden Ahbez. Eden Reeder Latta. Edenal Rodrigues. Ederaldo Gentil. Edgar Ferreira. Edgar H. Rocha. Edgar Lira. Edgar Thomas. Edgar Wille Quandt. Edgard Ferreira. Edgard Moraes. Edgard Thomas. Edgardo Donato. Edgardo Donatto. Edilson Borges de Abrantes. Edimindo Lys. Edinho Pessoa. Edison Soares de Oliveira. Edith Ayers Allen. Edith Margaret Clarkson. Edith Piaf. Edmund Hamilton Sears. Edmundo Guimar. Offman. Elisha Albright Hoffmann Eliza Edmunds Hewitt. Elizabeth Cecilia Douglas Clephane. Ellen Lakshmi Goreh. Ellie Goulding. Ellie Greenwich. Elliot Kennedy. Elmer Berstein. Elmore James. Elomar. Elomar Figueira Melo. Elp. Discepolo. Enya. Enzo Almeida Passos. Eoghan Heaslip. Eragon. Eraldo Divagar. Erasmo Carlos. Erast. Stockler. Eugene Kelly. Eugene Monroe Barlett. Eugene Wilde. Eurivaldo Silva Ferreira. Europe. Evaldo Amorim. Evaldo Golveia. Evaldo Gouveia. Evaldo Jos. Neto. Evenor Pontes. Everardo Baia. Everson. Evinha. Ewaldo Ruy. Ewan Mac. Coll. Ewerton Ferreira. Exalta. Mendelssohn. F. Engelhart. Fabiane Schmidt Torales. Fabiano. Fabinho O`Brian. F. Menezes. Fernando Ramos Menezes. Fernando Rojo. Fernando Soares. Fernando solares. Fernando Sor. Fernando Soto. Fernando Wilhelmi. Fernano Solares. Ferreira dos Santos. Ferrer Trindade. Fher. Fidenco. Filiberto Penaloza. Flavinho. Fl. Luiz Turra. Franc. Pagura. Free Sound Orchestra. Frei Fabreti. Frei Fabretti. Frei Jo. Mattos Rodrigues. G. Matos Rodriguez. G. Vessicchio. G. Duning. 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Hans Leo Hassler. Hans Zimmer. Harlan Rogers. Harmonia do Samba. Harold Adamson. Harold Arlen. Harold Arllen. Harold Faltermeyer. Harold Green. Haroldo Barbosa. Haroldo Lobo. Harpa Crist. Smyth. Harry Akst. Harry Bollback. Harry Brooks. Harry Gregson. Harry James. Harry Silvernale Mason. Harry Warren. Harvey Mason. Hary R. Fisher. Havens Wray. Hayley Bennett. Hayley Williams. Hazael Guti. Matthews. Henry Francis Lyte. Henry George Ley. Henry Glover. Henry J. Zelley. Henry John Gauntlett. Henry Mancini. Henry Maxwell Wright. Henry Percy Smith. Henry Southwick Perkins. Henry Thomas Smart. Heraldo do Monte. Herbert Kretzmer. Herbert Kretzner. Herbert L. Clarke. Herbert Platt Main. Herbert Vianna. Herbie Brow. Herbie Crichlow. Herby Azor. Hercules Reis. Herivelto Martins. Herman Hupfeld. Hermano. Hermeto Pascoal. Herminio Bello de Carvalho. Herm. Miyuki. Iam Guest. Ian Anderson. Ian Eskelin. Ian Jordan. Ian Laurence. Ico Ouro Preto. Idal. Egnalda Rocha. Ir. Elizabeth Terezinha Prado. Ir. 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The Eve Of Destruction. Images Of Heroic American Activists. Get the latest science news and technology news, read tech reviews and more at ABC News. Russian President Vladimir Putin retaliated against new US sanctions legislation widely expected to be signed by President Donald Trump, announcing on Sunday he would. We choose not to sweep uncomfortable. We choose not. to censor skewed logic and uncomfortable rhetoric. These things reflect. We present multiple facts. As with. all controversies, we stand ready to post any and all rebuttals and. Journalism is (or used to be) the profession of gathering and presenting. We believe in the intelligence. See. Full Legal Disclaimer Here. Jeff Rense - Editor- in- Chief. James Neff - Webmaster. Audio Engineer - Hany Hanna. |
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